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The famous dancer Rudolf Nureyev has a dog. When Nureyev dies, the strict ballet mistress Marika inherits the dog. The dog growls at her and becomes aggressive. When Marika is unable to place the dog with one of Nureyev’s friends, the animal shelter seems to be the only solution. Until Marika realises that the dog has hidden qualities …

The author Elke Heidenreich wrote a novel about Nureyev’s dog. Director and choreographer Florian Hurler actually knew Nureyev’s dog and the ballet mistress Marika. Peter te Nuyl wrote a theatrical script and text based on their stories. Keren Kagarlitsky created a new score from ballet-, opera- and her own music.

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New York, a lavish party. The host is the famous writer Truman Capote, whose real name is actually Streckfuß. Among the guests are celebrities, drag queens and ballet legend Rudolf Nureyev. When the party ends, only three people remain: Capote, Nureyev and a dog that was left behind. Nobody wants the dog – until it licks Nureyev on the face. The dancer takes pity on it and takes the dog with him.

From now on, the two are inseparable. Solor, as Nureyev calls the dog, accompanies him to rehearsals and performances. While the dancers perform their pirouettes and ballerinas float across the stage and argue with the strict ballet mistress Marika about the right training, Solor rests on a precious cushion and watches. In quiet hours at home, the dog patiently listens to Nureyev’s stories Nothing lasts forever, though: when Nureyev falls seriously ill, Marika takes care of him and the dog. She and the dog – two worlds that don’t immediately find common ground. And yet, when Nureyev dies, he leaves the dog to her, of all people.

Life together proves to be a challenge. Solor growls, bites, runs away, and when Marika, in desperation, asks Nureyev’s acquaintances for help, none of them want to take the dog. Finally, Marika considers dropping Solor off at the animal shelter.

Then, one magical night, everything changes. She sees the dog dancing on the balcony. With elegance, expression – and a touch of magic. Fascinated, she watches him. And for the first time, she sees not just a dog, but something unique. It is at this moment that she realizes: parting with Solor would also mean losing Nureyev and the memory of him. She keeps the dog.

Little by little, the human and the animal grow to trust each other, and Marika begins to like the dog. Both of them relax on long walks in Paris, and Marika also begins to soften during rehearsals and on stage, showing less rigor and more emotion. She realizes that true art comes not from blind submission, but from a balance of discipline and inner beauty.

The story is accompanied by a mysterious girl who seems to walk between worlds. Sometimes she is here, sometimes there, but in any case she is part of Solor’s story, a story about friendship, loss and longing.

Cast

Stage direction and choreography
Florian Hurler
Bühne & Kostüm
Christof Hetzer
Dramaturgy
Peter te Nuyl
Dramaturgy
Nastasja Fischer
Musical direction
Keren Kagarlitsky
Solor (Hund)
Florian Carove
Nurejew
Sebastian Wendelin
Marika
Ursula Pfitzner
Streckfuß
Jakob Semotan
Lea
Maria Hegele
Dora
Aaron-Casey Gould
Coco
Szymon Komasa
Impresario/Notar/Mann vom Tierheim
Daniel Ohlenschläger
Das Mädchen
Annelie Eichberger