Emperor Overall is the tyrannical ruler of Atlantis. When he finally declares a war between everyone and everyone else, Death decides to go on strike. In an act of populist demagogy, the Emperor claims the credit for delivering immortality. But with no one dying, the country descends into chaos. The Emperor is forced to accept that his power has been broken.
Confronted directly with persecution and extermination by the Nazis, Viktor Ullmann composed Der Kaiser von Atlantis (The Emperor of Atlantis) in Theresienstadt concentration camp in 1943/44: a harrowing allegory critiquing inhuman warmongering and totalitarian power structures. In October 1944 – along with his co-librettist Peter Kien – he was deported on the so-called “Künstlertransport” to Auschwitz, where Ullmann was gassed to death and Kien died of an infection. Shifting between a contemporary opera, a mystery play and a dance of death, Der Kaiser von Atlantis presents a unique theatrical sound world.
For the premiere KaiserRequiem, the conductor Omer Meir Wellber has defied convention to interweave Ullmann’s sixty-minute chamber opera with possibly the most famous torso in the history of music: Wolfgang Amadeus Mozart’s musical legacy, his Requiem in D minor KV 626 – composed in the face of death in 1791 and interrupted by death. KaiserRequiem is a dialogue between these two works about the great questions of human existence. However, KaiserRequiem is also a collaborative work by all sections of the theatre: the dancers of the Vienna State Ballet as well as the soloists and the chorus and orchestra of the Vienna Volksoper, directed and choreographed by Andreas Heise.
The performance on 27 January 2025 will take place on the occasion of the International Holocaust Remembrance Day and Mozart's 269th birthday.
Cast
- Musik
- Viktor Ullmann
- Musik
- Wolfgang Amadeus Mozart
- Dichtung
- Viktor Ullmann
- Dichtung
- Peter Kien
- Dichtung
- Felix Braun
- Musikalische Fassung
- Omer Meir Wellber
- Stage direction and choreography
- Andreas Heise
- Bühnenbild und Kostüme
- Sascha Thomsen
- Lighting design
- Johannes Schadl
- Choreinstudierung
- Roger Díaz-Cajamarca
- Soundinstallation und Szenische Assistenz
- Kian Jazdi
- Dramaturgie
- Anne do Paço
- Musical direction
- Omer Meir Wellber
- Der Tod
- Josef Wagner
- Der Tod
- Martin Winter
- Kaiser Overall
- Daniel Schmutzhard
- Kaiser Overall
- Gabriele Aime
- Harlekin
- Seiyoung Kim
- Harlekin
- Kevin Hena
- Ein Soldat
- JunHo You
- Ein Soldat
- Keisuke Nejime
- Der Trommler
- Wallis Giunta
- Der Trommler
- Marta Schiumarini
- Bubikopf
- Rebecca Nelsen
- Bubikopf
- Mila Schmidt
- Spital 34
- Aleksandar Orlić
- Tänzerin
- Nina Cagnin
- Tänzerin
- Vivian de Britto Schiller
- Tänzerin
- Kristina Ermolenok
- Tänzerin
- Julia Köhler
- Tänzerin
- Tessa Magda
- Tänzerin
- Matilda Poláková
- Tänzerin
- Olivia Poropat
- Tänzerin
- Marie Ryba
- Tänzerin
- Natalie Salazar
- Tänzerin
- Una Zubović
- Tänzer
- László Benedek
- Tänzer
- Roman Chistyakov
- Tänzer
- Adrien Fougères
- Tänzer
- Dragos Musat Gabriel
- Tänzer
- Francesco Scandroglio
Photos and Videos
Articles from our Weborello
„Deadly-fulminant ballet evening“: Press reviews KaiserRequiem
The premiere of KaiserRequiem was received with great enthusiasm and much acclaim last weekend. Now the first press reviews are in!
First impressions of the rehearsals for the KaiserRequiem premiere
We are eagerly awaiting the premiere of KaiserRequiem. Photographer Ashley Taylor provides the first insights into the work on this musical theatre that gets under your skin. Click through the first rehearsal photos here.
KaiserRequiem
The performance of KaiserRequiem on 27 January 2025 will take place on the occasion of the International Holocaust Remembrance Day and on Mozart's 269th birthday.
Press comments
It is an evening full of surprises: singers, dancers and choir interact with each other in a way that is rarely seen in music theatre.
Kurier
27. January 2025
Deadly-fulminant ballet evening!
APA
26. January 2025
It's marvellous (...) how artistically all the singers integrate themselves into the choreography and how some of the dancers also prove themselves as speakers.
Die Presse
27. January 2025
Meir Wellber leads the orchestra and choir of the Volksoper with tempo and drive. The music is played with precision. The transitions between the works are successful. The Vienna State Ballet and the vocal soloists Rebecca Nelsen, Josef Wagner, Daniel Schmutzhard and Wallis Giunta are convincing.
Kronen Zeitung
27. January 2025
The dance of the Vienna State Ballet, especially the soloists, is so captivating and vivid that the emotions and the story unfold clearly before the audience's eyes.
APA
26. January 2025
The Volksoper Chorus was outstanding – it’s wonderful to hear a proper operatic chorus unleashed on repertory like this.
Opera Now, gramophone.co.uk
27. January 2025